‘Weapons’ is a near-perfect dark comedy
Zach Cragger of ‘Barbarian’ delivers an exhilarating summer thriller, where we learn why 17 third graders disappeared from their homes on the same night.
‘The Shrouds’ paints a scattered, perceptive portrait of grief in the age of AI
The film follows Karsh, a businessman who monitors the decomposition of his wife’s corpse using a system called GraveTech.
‘A Minecraft Movie’ blocks its own success with basic plot, tonal whiplash
The long-awaited, surprisingly raunchy film suffers from a barely-there plot and severe jarring tonal shifts.
Disney’s ‘Snow White’ reflects a greater issue with nostalgic media
The massive media company’s post-pandemic identity crisis has thwarted future possibilities of original, groundbreaking content.
‘Mickey 17’ is a rare misstep for director Bong Joon-ho
Joon-ho's tepid sci-fi comedy completely falls short of his 2019 masterpiece, Parasite.
10 rom-com alternatives for your next date night
If you’re looking for something a little less traditional, where you’re not sure the guy will get the girl – or other guy – in the end, The Diamondback has some recommendations.
Recent horror films reflect modern dating real fears
The premises of some recent horror films sound bizarre, but they speak to something real and pervasive in the hesitant, fearful atmosphere of modern dating.
‘Cinephile heaven’: Il Cinema Ritrovato honors film legend Marlene Dietrich
The screening was a part of Il Cinema Ritrovato on Tour, hosted at Tawes Hall Thursday to a packed crowd of students and faculty.
Revisit this award season’s best acceptance speeches before the Oscars
From the Grammys to the NAACP Awards, these acceptance speeches deserve their own trophies.
Comedian Kyle Mooney talks directorial debut, inspiration for film ‘Y2K’
As director of the new disaster comedy film Y2K, Mooney is now far outside of the “bubble” he previously happily resided in.